Do you know about - A Psychological Profile Of Janis Joplin
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Biographical Overview
Janice Joplin was born January 19, 1943 in Port Arthur Texas to Seth and Dorothy Joplin. Janice was the first born child in a house that would finally comprise a sister Laura, who was born 6 years later, and a brother Michael, who was born 10 years later. Janice's early house life was relatively normal, and as a child she was exceptionally enthralling and bright. Janice often made up stories as a child and began writing plays while in the first grade, and even at a very young age her creative talent seemed to be developing.
One early story recounted in Myra Friedman's (1973) book on Janis, recounts how Seth would take the Janis and finally her siblings down to the post office to look at the pictures of the wanted men as a form of entertainment. Given Janis's later utter and total disregard for the law and conventionality in her life, one wonders if Janis didn't establish some kind of sympathy for the "outlaw" from these early experiences, as she assuredly began to view herself as existing covering of the bounds of normal society.
In Janis's words, "The whole world turned on me" when she entered High School, and these years seemed to have an especially profound work on on Janis as well as her later work. Port Arthur was in many ways a rough and even violent city, and as a port town had a whole of bars and houses of prostitution to assistance the men who came to work there. Janis witnessed ultimate racism while growing up in Port Arthur, and her tolerance and acceptance of citizen from other races quickly earned her the nickname "nigger lover" which was one of many that she would finally collect in Port Arthur. While this duration Janis also gained weight and developed bad skin, and she was often also called a "pig" by the other children in the school.
Following High School Janice enrolled at Lamar State College which she found was much like her High School in Port Arthur, as she again experienced a great deal of rejection here and finally dropped out. With her parent's blessing, Janis moved to Los Angeles to live with one of her aunts. Janis finally moved out of her aunt's home into a place of her own in Venice Beach and it was While this trip that she began to seriously use drugs along with heroin. Having nearly died While her experiences in Venice Beach, Janice again returned to Port Arthur, and finally decided to return to school, this time at the University of Texas in Austin.
It was While this duration of her life where Janis began performing seriously as a musician. She had discovered the blues through listening to records by Odetta and Bessie Smith, and Janis showed an overwhelming quality to imitate these singers, which was a lifelong talent she had developed even as a young girl. Janis would often play in coffeehouses and other campus spots around Austin, and it was While these formative years where she was able to put together her blues, folk, and rock influences into her own integrated and unique sound. Janis's beloved place to play was the legendary Threadgill's where she became close friends with owner Ken Threadgill who was a very definite force in Janis's life.
Although Austin included many more anti-establishment types than Port Arthur, Janis was still ridiculed and mocked at the University of Texas, and her sense of inferiority as a corollary of this reached its pinnacle when she was nominated for the "Ugliest Man on Campus" award while attending school in Austin. This was the final blow to Janis in Texas, and shortly after this even she packed her bags and moved to San Francisco to pursue a vocation as a singer.
Janis moved to Haight Ashbury in 1966 which at the time was the epicenter of the 1960's. Bands such as the Grateful Dead and the Jefferson Airplane were also arrival up at this time, and the music and leisure made the Haight in the 1960's for many a magical time and place to be. Janis found an improbable sense of belonging with Big Brother While this time, and their early work as a band represented the raw energy and improvisational nature of rock and Roll that citizen were starting to take notice of.
Janice soon began to outshine Big Brother however, and although they were a very energetic live band, their improvisational style did not translate well in recording sessions. Janice on the other hand took a great interest in the recording sessions, and was committed to recording an album that demonstrated Big Brother's and more importantly her own unique style. With Albert's encouragement, Janice finally left Big Brother, and this act was seen by many in the band, as well as many of Janice's personal friends, as an act of selfish betrayal.
Janice next formed the Kosmic Blues Band, which she spelled with a K in honor of Franz Kafka, who was one of the many novelists that Janice loved to read. The band was supposed to mark a return to Janice's blues roots, but her first gig in Memphis, a city rich in the blues tradition, was a disaster as the new band received a very lukewarm response from the Memphis crowd. While her time with Kosmic Blues, Janice, already a quarterly heavy drug user became more enamored of Heroin. Janice's Heroin use prolonged to increase throughout her time with the Kosmic Blues band, and by the time it came to play at Woodstock in the summer of 1969 she was most likely addicted to the drug. In one particularly disgusting story, Janice's friend and lover Peggy Caserta (who would later go on to write "Going down with Janis" recounts how Janis snuck into the transported toilets to shoot Heroin prior to her operation at Woodstock. In any case Janice's operation at Woodstock was not view to be one of her best, and it was at this juncture of her vocation where her Heroin abuse and prolonged heavy drinking seemed to adversely begin affecting her music.
Realizing that the Kosmic Blues band was not working, Janice also left this band, and in the last year of her life formed her final band that was known as Full Tilt Boogie. It was also While this duration that Janice formed a friendship with Kris Kristopherson who would finally come to be her lover, and who also wrote Janis's seminal hit Me and Bobby McGee which is the song she is most known for today. While this last phase of her life, Janice began referring to herself as "Pearl" which to her represented the tough- talking very sexed festive side of her nature.
One requisite event that occurred at the end of her life was Janice's ten year High-School reunion. Janis announced her plans to attend the reunion on the Dick Cavett show while also telling the host Dick Cavett that While her time at Port Arthur that her classmates "laughed me out of class, out of town and out of the state, man". Janis wanted to return to Port Arthur to show those that had picked on her and ostracized her that she had made it after all, while also still craving acceptance from the town that she view her fame would bring her. Janis was drunk most of the time While the reunion, and because she had made several negative remarks about the town in the national press, her visit did not accomplish what she had hoped, and once again she left Port Arthur feeling rejected and unloved.
Upon returning to San Francisco Janice's Heroin usage had increased significantly, and it was also While this time that she met and quickly became engaged to a man named Seth Morgan who was from a wealthy east coast family. By all accounts Seth was a dishonorable man, and his stormy association with Janis did not appear to be based on any kind of fidelity from whether party. While Janis's last months in San Francisco she also reconnected with Peggy Caserta whose appetite for Heroin nearly matched Janis's. Peggy and many others of Janice's friends prolonged to use Heroin with her in her last month, but Janice was using the drug alone in a seedy hotel when she finally died from an overdose on October 4th 1970.
Janis's death deeply saddened her friends as well as her fans, but many, along with Janice herself, did not expect her to live a particularly long life. Her rampant alcohol and Heroin use had set her on a collision course with death that seemed inevitable, and with this in mind, many citizen determined the idea that Janice Joplin's death was not in fact an crisis but rather a suicide. While a coroner's report showed that the Heroin Janice had used that night was especially pure, one can assuredly guess that Janis Joplin contributed greatly to her own demise. Despite the fact her death was finally ruled an accident, it is clear that Janis Joplin's sad and unhappy life ended as a direct corollary of her own actions.
Analysis
Gender Role establishment perceived through Gender Guiding Lines and Role Models
One of the ways a child makes his or her way in the world begins with an acceptance or a rejection of their gender guiding lines. In this regard, Janis Joplin's association with her mom becomes enthralling to analyze, as Janice and her mother's interactions were often characterized by a battle of wills and a great deal of turbulence. Janis's mother, who was a Sunday school teacher, improbable Janis to conform to the rules, wear dresses like the other exiguous girls, while also making the house proud with her accomplishments. In this regard Mrs. Joplin had high expectations for her daughter about both conformity and accomplishment, and this seemed to send a mixed message to Janis that affected her future ambitions and desires.
Despite Janis's rejection of the maternal guiding line, she did identify strongly with her father who was an intellectual man who enjoyed reading and was much more accepting and permissive of Janis than her mother. Janis seems to have strongly identified with her father instead of her mother, and this speaks directly to her eventual embrace of many more traditionally masculine qualities in her life.
Janis finally roughly totally and fully rejected her mother's wishes that she be like the other girls, and therefore rejected the female guiding line in the house which also seemed to have an corollary on her sexuality. Although Janis talked a few times of achieving married life with a "white picket fence" she found belonging by wearing pants and acting like one of the boys, and for Janis this included sleeping with by her own account "a merge of hundred" women throughout her life, along with one in her High School years.
Much has been made of Janis's sexuality, and one feminist writer attributed Janis's drug use and lifelong pain as resulting from being unable to fully come out and contact life as her lesbian self. In essence she made Janis a martyr for lesbian causes, and this idea is enthralling and enthralling to consider with regard to Janis. It assuredly must have been difficult for Janis to reject the feminine guiding line in the house without it having some work on on her sexuality, and therefore it seems very plausible that Janis may have been predominantly attracted to other women. On the other hand Janis did also sleep with a great many more men than women in her life, but her inability to preserve lasting relationships with these men may speak directly to Janis's confused and even tormented sexual feelings. Although she often bragged about her conquests with men, one could see this as a dramatic overcompensation for her lesbian feelings, as well as a compensation for her rejection by the boys of Port Arthur when she was young. As a star Janice spoke often about her increased access to "pretty young boys" and one wonders if her often false bravado when speaking about men may have naturally been attempts to deal with feelings of childhood rejection and inferiority.
When children reject their parental guiding lines, they may often turn to role models to guide them. In Janis's case because such a role model was not ready in Port Arthur, she found this guidance through emulating and studying the music of Bessie Smith, who had died several years before Janis was born. Bessie Smith was and is one of the most influential Blues singers in American history and Janis felt a kinship with the blues where she was drawn not just to the music but also to the sadness and pathos that produced the music. Janis glance often throughout her vocation that singing the blues required suffering, and Janis used this reliance to clarify and rationalize her Heroin abuse.
Janice did draw vigor from visualizing the blues singers that had come before her however, and the anguish and pain in her voice while she was singing appeared to be a true representation of Janis's often tortured life. Much like the Blues singers she was emulating, Janis did use music to make sense of painful feelings, and the power and work on of Blues singers like Bessie Smith provided for Janis a roadmap of how to process these feelings. Bessie Smith was in fact such a grand work on on her, that Janis contributed half the money for Bessie Smith's memorial so she could be properly honored and remembered.
Interpersonal Style perceived through contact of house Atmosphere
One thing that Janice seems to have inherited from her mom was a sense of frugality which Dorothy had developed from her experiences seeing her house farm lost to the depression. Janice was not particularly generous with money over the course of her career, and despite her blatant disregard for the rules, friends who went through Janice's possessions (Friedman 1973) following her death found several "meticulously organized checkbooks, all balanced to the penny." Janice also always scoured for the cheapest item when she was grocery shopping, and would spend extra time comparing differences in price on items although money was assuredly no object in this instance. Considering Janice's otherwise very disruptive life, this seems roughly miraculous, and assuredly speaks to the fact that Janice respected at least some of her family's established values.
Another instance where Janice seems to have rejected her mother's guidance was in the area of spirituality, where Dorothy who was a Sunday school teacher, tried to instill in her children ideas consistent with conventional morality. Janice wildly rejected this idea, and adopted an very hedonistic attitude where if something felt good to her she was quick to do it. Janice often expressed this doctrine of the immediate throughout her life, and this ran directly opposed to the family's religious convictions that there was a life after this one where we received our final rewards.
The family's experiences with music are also foremost to consider with regard to Janis's interpersonal style. At one time Dorothy was such a talented singer that she received a full scholarship for her musical abilities to Texas Christian University. Dorothy prolonged to sing in the church choir when Janis was little, and the house had a piano to celebrate Dorothy's love of music. When Janis was young Dorothy had one of her vocal cords severed in an crisis While a surgery, and Dorothy could no longer sing as a corollary of this experience. Seth then sold the piano and this seemed to transport an unusual message to Janis about music, and may have a association to Janis's fear, repeated often throughout her career, that she would loose her voice and therefore her career.
Janice's eventual embrace of music could be interpreted a merge of different ways. First, that she carried on the house torch passed down from Dorothy, or second, that she took to music because it was something her mom could no longer do. Considering how stormy the association was in the middle of Janis and her mother, and the fact that Seth sold the piano because it was too painful to have around for Dorothy, it seems potential to guess that Janis's music was in some ways a reaction against her mother. The kind of music Janis did go on to produce was assuredly far different than the music Dorothy studied in school and perhaps Janice's embrace of music could be interpreted as both an ode to, as well as a reaction against, Dorothy's love of music.
Perspective on the World perceived through contact of Psychological Birth Order
Janis was the first born child in a house of three, and this also influenced her perspective on the world. First born children are often the responsible and conservative children in the family, and can come to be in many ways like second parents to the other children. In Janis's first 6 years of life she behaved much like you would expect an oldest child to behave, as her mom reports she learned to sit and cut her food and eat and talk like an adult at a very early age with amused and surprised Dorothy. Janice was also very well-behaved and had excellent manners, and her mom reports that her behavior was nearly beyond revising in these early years.
Things changed when Laura was born when Janice was six, as not only was Janis now dethroned as the only child, but Laura had health complications which took up even more of her mother's attention. Interestingly Janis did not at this time come to be a jealous and overbearing sibling, but instead became very attentive to Laura and cared for as a kind of surrogate parent.
A enthralling switch in the psychological birth order perspective did happen later however, when Janis began to get jealous that Laura appeared to do things that met her mother's high expectations whereas Janis consistently let her down. Children often find belonging in families by enthralling in behaviors that are different than their siblings. In the case of the Joplin's this happened much later when Janis was in High School, where Janis was now seeing belonging as the misbehaving child where Laura assumed the role of the responsible one. Normally this dynamic is exactly reversed, but in the Joplin's case Laura now assumed the vantage point of the first born child and Janis as the reckless and wild second born.
This pattern prolonged throughout the rest of their lives, as While her periods of conservative behavior Janis would often ask for Laura's assistance picking out the proper clothes and seek her guidance on style and other matters. Although Laura was six years younger, she seemed to finally surpass Janis emotionally as well, and her story is very much intertwined with Janis's even today. Laura finally earned a Phd in schooling and became a motivational speaker. She also wrote a book called Love, Janis which provided letters Janis had written home to the house throughout her career, and this book, which was later made into a Broadway production, helped a lot of citizen reach a greater understanding of Janis Joplin's inner world.
Self appraisal perceived through Genetic Possibilities
It is impossible to talk about Janis Joplin without talking about her corporal appearance, as this was at the root of a great deal of Janis's inferiority and perhaps even a partial explanation for her ultimate talent. Although Janis was by all accounts an median seeing girl growing up, she went through a particularly awkward stage in High School where she gained weight and also developed skin problems. In Texas in the 1950's this must have been particularly difficult, as attractiveness was assuredly a cherished value for women in this time and place, and a person's self-worth could assuredly come to be tied to their appearance which seems to have happened to Janice. Rather than endeavor to play a game she felt she could not corollary at, Janice instead chose to retort in the exact opposite manner, and she made her personal appearance a very low priority.
This is first-rate safeguarding behavior where a man creates a sense of rejection themselves before others have a opportunity to reject them. In Janis's case she would put on a brave front when others would call her a "pig" in High School, but then go home and cry about this rejection. It must have particularly painful for Janis to be nominated for "Ugliest Man on Campus" while at the University of Texas, as this was a place where she had finally found some belonging and had experienced some success as a singer.
Being constantly rejected for her appearance, Janis only felt beautiful in her life when she was performing. It was on the stage where her wild sexuality and charisma finally shined, and this for Janis meant the stage became the only place where she every truly felt accepted. Janice spent the rest of her life following High School chasing the "pretty boys" and this seems to be overcompensation for the rejection she felt from the beloved boys both in High School as well as at the University of Texas. She made much of her one night stand with New York Jets quarterback Joe Namath, even announcing their affair over the microphone while doing a New York concert, and also bragged about sleeping with Jim Morrison, Dick Cavett, and many other men which may have been naturally supplementary attempts to prove that she was assuredly wanted by the "popular" crowd.
This assuredly seemed to be a large part of her motivation to return to her High School reunion where she hoped to show those that had rejected her how she had made it. When Janis was again rejected at her High School reunion it seemed to bring all of her intense feelings of inferiority back to the surface, and have at least some association to her final and fatal Heroin binge.
It is also enthralling to consider Janis's engagement to Seth Morgan with regard to the timing of her reunion. Seth, whose east coast pedigree led Janis to believe that he was in fact one of the "popular" boys she had always sought after had also assured Janis he did not want any of her money, and even signed an business agreement that assured this. For Janis this may have been a last grasp at fitting in and dealing with the feelings of inferiority her reunion stirred up, and a final endeavor at seeing the belonging that she so desperately craved.
Openings for Advancement Perceived through Environmental Opportunities
It is impossible to endeavor an understanding of Janis Joplin without also understanding the times she came of age in. The 1960's was a duration of great revolution and change, and provided the excellent backdrop for Janis to unharness her raw energy and power through her music. Prior to the 60's women had no such opportunity, and the first-rate model of the Rosemary Clooney type lounge singer was a paradigm that Janis helped change and recreate for many future generations. The fact that Janis came along concurrently at the height of the woman's movement was also significant, as she became for many a stamp for women's sexual leisure and experimentation that had previously been taboo. Had Janis come along in another era, her brazen sexuality would not have been well received, and Janis was a direct benefactor of as well as a contributor to, the women's movement.
Range of communal Interest perceived through Other Particularities
In Adlerian psychology, a person's thinking health can be measured by examining a person's communal interest in other human beings. In Janis Joplin's case her early inferiority produced such violent insecurity that she had a very difficult time getting close to others and maintaining intimacy in her personal relationships. Although Janis was often taken advantage of by others in her life, she relished in thinking of herself as a victim as it confirmed her existing feelings about herself.
For Janis the circumstances of her life must have contributed greatly to her obscuring about other people's motives about their feelings for her. Before she was paramount she was mocked and ridiculed by nearly every person she came into contact with, excepting a few go for friends she made along the way. She felt inferior in her home life and that she wasn't living up to her mother's expectations as to what a woman should be. Then when she became paramount suddenly the whole world took an intense interest in her, and it is easy to see why she would doubt the motivations behind this interest given her prior experiences.
No where was this more evident than at Janis's reunion where she wanted to show the citizen who had mocked her how foremost she had become, while also badly seeking their acceptance. For Janis the Thomas Wolfe axiom that "You can't go home again" seemed especially appropriate, and all of these conflicting cognitions and emotions must have created a great deal of psychic turmoil in Janis which she numbed by using Heroin.
In this regard, Janis glance to Myra Friedman (1973) that "her only true friends were the junkies she used to hang out with" and this is a telling statement that speaks directly to the fact that drug addicts often gravitate to each other in a kind of shared misery. The fact that Janis made this remark seems to confirm her low view of herself, and how this low view affected her interactions with others. Because Janis was so in need of love from others, she surrounded herself with sycophants who would often tell her anyone she wanted to hear, which was a fact Janis was well aware of.
Although many singers from this era along with Janis's one time lover Country Joe McDonald became very complicated in political causes in the 60's, Janice's message seemed to be more about leisure through breaking off the shackles that society imposed. perhaps because the 60's were such a time of freedom, many serious addictions such as Janis's were overlooked under the guise of free living. The dream of Timothy Leary and others like him that drugs could be a mind increasing tool has not been realized, and many such as Janis developed severe and pathological addictions as a corollary of this idea. This was the paradox of the pairing of drugs and freedom, as, although the drugs were meant to free a person's mind, they often made them virtual slaves to their addictions as was the case in Janis Joplin's life.
Conclusion
Janis Joplin's life was clearly very sad, and demonstrates the analysis and sadness that exists in man who, despite achieving requisite wealth and fame, never learns to overcome feelings of inferiority towards the self. Alfred Adler's quote "The greater the feeling of inferiority that has been experienced, the more grand is the urge to conquest and the more violent the emotional agitation" seems especially relevant to Janis's life. In many ways Janis assuredly channeled and compensated for her feelings of inferiority through her work on the stage, but when the music was over Janis was always left with the same uncomfortable feelings. several of the books on Janis's life retell how despondent she would be following a performance, and this may be because the stage was the only place she truly found the love and acceptance she so desperately craved.
Many factors contributed to Janis's inferiority, and the stars all aligned in a very unique way to originate the life that was Janis Joplin's. Her early and prolonged rejection by the other children, particularly in High School created a lifetime of negative feelings about her corporal appearance, and these feelings were probably exacerbated through her interactions with her mom who wanted her to be more like the other children. Because Janis was not like the other girls, she assumed many masculine traits, and somewhere along the way her feelings about sexuality became very confused. Although there is requisite evidence to demonstrate a genetic link to homosexuality, there are also roughly assuredly environmental factors which can conduce to this, and Janis Joplin's life seemed to be an excellent example.
Despite Janis's sexually ambivalent feelings, she many times glance about a mythical "white picket fence" kind of life that she longed for that would bring her some consistency and stability. But Janice was also terrified of giving up her stardom, as this was also the only thing she had to cling to that gave her a sense of accomplishment in life. She had created the "Pearl" image and now she had to consistently live up to it, and this required a pace that no one could perhaps maintain.
Janice was also a goods of her times, as more than any other decade before or since, the 1960's were a time of great change, paradigm shifts, and revolution, and Janis helped define these times while also being swept away by them. The music of the 60's reflected a large break in society where kids were improbable to "never trust anyone over 30" that never quite determined what happened when they reached 30. For Janis, her reckless lifestyle, intense feelings of self-loathing, and raging feelings of inferiority finally overwhelmed her, and her death at the age of 27 was truly tragic Considering the supplementary contributions she may have gone on to make.
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